![]() Who would treat another person that way? It's a question women have been hearing far too often. Many people have a hard time believing that so many nightmarish stories could possibly be true. Today, following the rise of the MeToo Movement, more and more women are breaking their silence to speak out about times their bodies were used without their consent in a way that made them feel less than, used in a way that made them feel like objects. ![]() This piece of performance art may be 40 years old, but it feels as relevant today as it was when Abramović first performed it in Naples, Italy, in 1974. "They didn’t rape me," she said, "because they were with their wives.” It shows that if he provides the stage, the majority of ‘normal’ people, apparently can become truly violent.”Īnd in 2015 she stated further that under only slightly different circumstances, things could have gone differently. It shows how easy it is to dehumanize a person who does not fight, who does not defend himself. It shows how fast a person can hurt you under favorable circumstances. Talking about the performance later, Abramović remarked, “This work reveals something terrible about humanity. ![]() In front of her, a table was covered with objects and instructions for how they could be used. Abramović announced that she would stood absolutely still for the next 6 hours. To understand why that, it is important to first revisit a performance piece she presented as a young woman over 40 years ago, titled "Rhythm O." RELATED: Olympic Gymnast Aly Raisman Shares Awful Details Of Alleged Sexual Abuse By Dr. In light of the events going on in the world today, her work may perhaps be more intensely important now than it ever has been before, particularly if you are either a woman or someone with a sincere interested in understanding the depth of what women experience. Somehow, her celebrated 1988 art piece, "The Lovers: the Great Wall Walk" - in which she and her longtime lover and collaborator Ulay started at opposite ends of the Great Wall of China, to meet in the middle as a way of signaling the break up of their 12-year relationship, seems like something that happened over a million years ago now. Yugoslavian performance artist Marina Abramović is the woman many credit as "the grandmother of performance art." She was featured on Sex and the City, collaborated with James Franco and. ![]() What Happened When Marina Abramović Let People Do Anything To Her Body For An Art Project ![]()
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